DP Charlotte Bruus Christensen ASC used Kodak 35mm to create alluring…
“This was my first collaboration with Sean, and it proved a very pleasant experience. The majority of the lights I…
Navire Argo promises a new landmark for filmmakers wanting to use…
“The cinema itself will be a unique venue in France and Europe, designed to keep the experience of film projection…
Nicole Riegel and Adam Cobb come together to ‘Holler’ their support…
A roaming documentary approach was taken with the focus placed upon following the protagonist. “Handheld is beautiful,” remarks Riegel. “I…
Martin Scorsese and DP Rodrigo Prieto AMC ASC harness Kodak looks for…
Prieto says he first heard about The Irishman during the post production phase on Silence. “I actually read the book…
Kodak S16mm film casts a powerful spell of magical realism over Benh…
“During pre-production, we did a bunch of camera tests with all kinds of different vintage lenses in combination with 16mm…
Lol Crawley captures the violence of ‘The Devil All the Time’ on…
A number of the car shots involved real driving or a process trailer out on location. “We were old school…
Cannes 2021 line-up features 20 new films shot on KODAK Film
Kodak Motion Picture and Entertainment is celebrating 20 films shot on film at Cannes including 8 titles competing for the…
Episode 132: Filmmaker Jess Kohl
We’re talking with filmmaker Jess Kohl this week. Jess recently directed a documentary series highlighting three artists and their individual…
DP Oona Menges used 16mm/35mm B&W/Color Film to craft Andrew Legge’s…
While Menges operated handheld for most of the production, she had to school actress Stefanie Martini, playing Mars, on how…
Marcell Rév gets acquainted with ‘Malcolm & Marie’ during the pandemic
Principal photography took place from June 17, 2020 to July 2, 2020. “Production designer Michael Grasley [The Runner] found a…
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